Wearing the Inside Out

From morning to night I stayed out of sight
Didn't recognize what I'd become
No more than alive I'd barely survive
In a word, overrun

Won't hear a sound
From my mouth
I've spent too long
On the inside out
My skin is cold
To the human touch
This bleeding heart's
Not beating much

I murmured a vow of silence and now
I don't even hear when I think aloud
Extinguished by light I turn on the night
Wear its darkness with an empty smile

I'm creeping back to life
My nervous system all away
I'm wearing the inside out

Look at him now
He's paler somehow
But he's coming round
He's starting to choke
It's been so long since he spoke
Well he can have the words right from my mouth

And with these words I can see
Clear through the clouds that covered me
Just give it time then speak my name
Now we can hear ourselves again

I'm holding out
For the day
When all the clouds
Have blown away
I'm with you now
Can speak your name
Now we can hear
Ourselves again

He's curled into the corner
But still the screen is flickering
With an endless stream of garbage to
Curse the place
In a sea of random images
The self-destructing animal
Waiting for the waves to break

He's standing on the threshold
Caught in fiery anger
And hurled into the furnace he'll
Curse the place
He's torn in all directions
And the screen is still flickering
Waiting for the flames to break

Songwriters: Anthony Moore / Richard Wright

Wearing the Inside Out lyrics © Concord Music Publishing LLC

Artist: Pink Floyd

Album: The Division Bell

Released: 1994

Recorded: 1993

Pink Floyd 

Hey you

Hey you, out there in the cold
Getting lonely, getting old
Can you feel me?
Hey you, standing in the aisles
With itchy feet and fading smiles
Can you feel me?
Hey you, don't help them to bury the light
Don't give in without a fight

Hey you out there on your own
Sitting naked by the phone
Would you touch me?
Hey you with you ear against the wall
Waiting for someone to call out
Would you touch me?
Hey you, would you help me to carry the stone?
Open your heart, I'm coming home

But it was only fantasy
The wall was too high
As you can see
No matter how he tried
He could not break free
And the worms ate into his brain

Hey you, out there on the road
Always doing what you're told
Can you help me?
Hey you, out there beyond the wall
Breaking bottles in the hall
Can you help me?
Hey you, don't tell me there's no hope at all
Together we stand, divided we fall

Songwriters: Roger Waters

Hey You lyrics © Warner/Chappell Music, Inc

Artist: Pink Floyd

Album: The Wall

Released: 1979

Pink Floyd 

2019 Bucharest Light Festival

2019 Bucharest light festival - SPOTLIGHT

The artistic director of this year’s edition was Jean-François Zurawik, the director and producer of Fête des Lumières – Lyon.

“The theme of this edition – EuropeLights – celebrates the role Romania is playing in Europe throughout this period by capturing a series of relevant European identity characteristics translated into light installations created by local and international artists,” reads a press release.

In this context, Spotlight has launched a call for projects intended for young, emerging artists, architects, and designers, with the theme “Digital Europe. The Europe of the Future.” The organizers invite participants to propose interactive artistic light-based installations that explore at least one of the following aspects: “What Will Europe Look Like in the Future?,” “How Does One Translate Europe into the Digital Language ?,” “Analogue versus Digital – Yesterday’s and Today’s Europe.”

 

SPOTLIGHT – Festivalul Internațional al Luminii, București este cel mai mare festival din România dedicat luminii și tehnologiilor bazate pe lumină, care include anual o serie de instalații de lumină, proiecții video, proiecte de iluminat arhitectural sau instalații artistice interactive ale artiștilor locali și internaționali. Evenimentul a fost organizat de Primăria Municipiului București prin ARCUB în perioada 18-21 aprilie.
Ediția 2019 a festivalului marchează două evenimente majore ale anului:  
Președinția României la Consiliul Uniunii Europene
  și 
deschiderea Sezonului România-Franța la București, care se vor reflecta în tema ediției, intitulată: EuropeLights. Directorul artistic și curatorul celei de-a cincea ediții a festivalului de la București este directorul și producătorul Fête des Lumières – Lyon, Jean-François Zurawik.
 

Storm in Romania

And once the storm is over, you won’t remember how you made it through, how you managed to survive. You won’t even be sure, whether the storm is really over.

 But one thing is certain.

 When you come out of the storm, you won’t be the same person who walked in. 

That’s what this storm’s all about. 

Haruki Murakami

Comfortably Numb

I have become comfortably numb...

Comfortably Numb is one of the best song made by Pink Floyd.
The song is one of Pink Floyd‘s most famous, and is renowned especially for its guitar solos in the middle and at the end of the song.
Is one of the most famous songs extracted from the album The wall. Is a real cornerstone inside the story of Pink (the protagonist of The Wall), because he change his personality from a normal man with the problem of a normal man, to a sort of tyrannic leader that talk to masses that believes in him.


Hello?
Is there anybody in there?
Just nod if you can hear me.
Is there anyone at home?
Come on, now,
I hear you’re feeling down.
Well I can ease your pain
Get you on your feet again.
Relax.
I’ll need some information first.
Just the basic facts.
Can you show me where it hurts?
There is no pain you are receding
A distant ship, smoke on the horizon.
You are only coming through in waves.
Your lips move but I can’t hear what you’re saying.
When I was a child I had a fever
My hands felt just like two balloons.
Now I’ve got that feeling once again
I can’t explain you would not understand
This is not how I am.
I have become comfortably numb.
O.K.
Just a little pinprick.
There’ll be no more aaaaaaaaah!
But you may feel a little sick.
Can you stand up?
I do believe it’s working, good.
That’ll keep you going through the show
Come on it’s time to go.

There is no pain you are receding
A distant ship, smoke on the horizon.
You are only coming through in waves.
Your lips move but I can’t hear what you’re saying.
When I was a child
I caught a fleeting glimpse
Out of the corner of my eye.
I turned to look but it was gone
I cannot put my finger on it now
The child is grown,
The dream is gone.
I have become comfortably numb.
Writer/s: WATERS, ROGER/GILMOUR, DAVID JON
Publisher: Warner/Chappell Music, Inc., IMAGEM U.S. LLC

The story of Comfortably Numb

'Dave Gilmour wrote most of the music while he was working on a solo album in 1978.
He brought it to The Wall sessions and Waters wrote lyrics for it. Gilmour believes this song can be divided into two sections: dark and light.
 The light are the parts that begin “When I was a child…,” which Gilmour sings. The dark are the “Hello, is there anybody in there” parts, which are sung by Waters.
This was the last song Waters and Gilmour wrote together. In 1986 Waters left the band and felt there should be no Pink Floyd without him.
Roger Waters wrote the lyrics. While many people thought the song was about drugs, Waters claims it is not. The lyrics are about what he felt like as a child when he was sick with a fever.
As an adult, he got that feeling again sometimes, entering a state of delirium, where he felt detached from reality.

He told Mojomagazine (December 2009) that the lines, “When I was a child I had a fever/My hands felt just like two balloons” were autobiographical. He explained: “I remember having the flu or something, an infection with a temperature of 105 and being delirious. It wasn’t like the hands looked like balloons, but they looked way too big, frightening.
A lot of people think those lines are about masturbation. God knows why.”
Mojo asked Waters about the line, “That’ll keep you going through the show,” referring to getting medicated before going on-stage. He explained: “That comes from a specific show at the Spectrum in Philadelphia (June 29, 1977).
I had stomach cramps so bad that I thought I wasn’t able to go on.
A doctor backstage gave me a shot of something that I swear to God would have killed a f—ing elephant. I did the whole show hardly able to raise my hand above my knee. He said it was a muscular relaxant.
But it rendered me almost insensible. It was so bad that at the end of the show, the audience was baying for more. I couldn’t do it. They did the encore about me.”
A confirmation about this was in a radio interview around 1980 with Jim Ladd from KLOS in Los Angeles, Waters said that part of the song is about the time he got hepatitis but didn’t know it. Pink Floyd had to do a show that night in Philadelphia, and the doctor Roger saw gave him a sedative to help the pain, thinking it was a stomach disorder. At the show, Roger’s hands were numb “like two toy balloons.” He was unable to focus, but also realized the fans didn’t care because they were so busy screaming, hence “comfortably” numb.
He said most of The Wall is about alienation between the audience and band.
Waters and Gilmour had an argument over which version of this to use on the album. They ended up editing two takes together as a compromise.
Dave Gilmour said in Guitar World February 1993:
 “Well, there were two recordings of that, which me and Roger argued about. I’d written it when I was doing my first solo album [David Gilmour, 1978]. We changed the key of the song’s opening the E to B, I think. The verse stayed exactly the same.
Then we had to add a little bit, because Roger wanted to do the line, ‘I have become comfortably numb.’ Other than that, it was very, very simple to write.
But the arguments on it were about how it should be mixed and which track we should use.
We’d done one track with Nick Mason an drums that I thought was too rough and sloppy.
We had another go at it and I thought that the second take was better.
Roger disagreed. It was more an ego thing than anything else.
We really went head to head with each other over such a minor thing.
I probably couldn’t tell the difference if you put both versions on a record today. But, anyway, it wound up with us taking a fill out of one version and putting it into another version.”

planckmachine

 https://www.youtube.com/watch?v=XpqjEnRU6uM

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