“We take off into the cosmos, ready for anything: for solitude, for
hardship, for exhaustion, death. Modesty forbids us to say so, but there
are times when we think pretty well of ourselves. And yet, if we
examine it more closely, our enthusiasm turns out to be all a sham. We
don't want to conquer the cosmos, we simply want to extend the
boundaries of Earth to the frontiers of the cosmos. For us, such and
such a planet is as arid as the Sahara, another as frozen as the North
Pole, yet another as lush as the Amazon basin. We are humanitarian and
chivalrous; we don't want to enslave other races, we simply want to
bequeath them our values and take over their heritage in exchange. We
think of ourselves as the Knights of the Holy Contact. This is another
lie. We are only seeking Man. We have no need of other worlds. A single
world, our own, suffices us; but we can't accept it for what it is. We
are searching for an ideal image of our own world: we go in quest of a
planet, a civilization superior to our own but developed on the basis of
a prototype of our primeval past. At the same time, there is something
inside us which we don't like to face up to, from which we try to
protect ourselves, but which nevertheless remains, since we don't leave
Earth in a state of primal innocence. We arrive here as we are in
reality, and when the page is turned and that reality is revealed to us -
that part of our reality which we would prefer to pass over in silence -
then we don't like it anymore.”
― Stanisław Lem, Solaris
― Stanisław Lem, Solaris
1. Tabula Rasa: I. Ludus -- Con moto (Arvo Pärt)
2. Tabula Rasa: II. Silentium -- Senza moto (Arvo Pärt)
3. Company for String Orchestra: Movement I (Philip Glass)
4. Company for String Orchestra: Movement II (Philip Glass)
5. Company for String Orchestra: Movement III (Philip Glass)
6. Company for String Orchestra: Movement IV (Philip Glass)
7. "Come In!": Movement I (Vladimir Martynov)
8. "Come In!": Movement II (Vladimir Martynov)
9. "Come In!": Movement III (Vladimir Martynov)
10. "Come In!": Movement IV (Vladimir Martynov)
11. "Come In!": Movement V (Vladimir Martynov)
12. "Come In!": Movement VI (Vladimir Martynov)
13. Darf ich (Arvo Pärt)
About this album:
Silencio is a meditative collection of 20th-century works for string orchestra, including works by Arvo Pärt, Philip Glass, and Vladimir Martynov. The disc is bookended with works by Pärt, whose Tabula Rasa opens the disc. The work was written for and dedicated to Kremer, violinist Tatjana Grindenko and conductor Eri Klas (all featured on this recording), who premiered it in 1977 in Estonia. It was recorded live for release on ECM later that year. Tabula Rasa is scored for string orchestra, solo violins and prepared piano.
2. Tabula Rasa: II. Silentium -- Senza moto (Arvo Pärt)
3. Company for String Orchestra: Movement I (Philip Glass)
4. Company for String Orchestra: Movement II (Philip Glass)
5. Company for String Orchestra: Movement III (Philip Glass)
6. Company for String Orchestra: Movement IV (Philip Glass)
7. "Come In!": Movement I (Vladimir Martynov)
8. "Come In!": Movement II (Vladimir Martynov)
9. "Come In!": Movement III (Vladimir Martynov)
10. "Come In!": Movement IV (Vladimir Martynov)
11. "Come In!": Movement V (Vladimir Martynov)
12. "Come In!": Movement VI (Vladimir Martynov)
13. Darf ich (Arvo Pärt)
About this album:
Silencio is a meditative collection of 20th-century works for string orchestra, including works by Arvo Pärt, Philip Glass, and Vladimir Martynov. The disc is bookended with works by Pärt, whose Tabula Rasa opens the disc. The work was written for and dedicated to Kremer, violinist Tatjana Grindenko and conductor Eri Klas (all featured on this recording), who premiered it in 1977 in Estonia. It was recorded live for release on ECM later that year. Tabula Rasa is scored for string orchestra, solo violins and prepared piano.
