Showing posts with label people. Show all posts
Showing posts with label people. Show all posts

Sunday, April 19, 2015

What If God Was One of Us















Remember: Not all people in this world received the same blessings that you have: opportunity, house, education and comfort. We must not forget that we don't live without a purpose and this purpose is to help one another.
'If God had a name, what would it be
And would you call it to His face
If you were faced with Him in all His glory
What would you ask if you had just one question
What if God was one of us
Just a slob like one of us
Just a stranger on the bus
Trying to make His way home
If God had a face, what would it look like
And would you want to see
If seeing meant that you would have to believe
In things like Heaven and in Jesus and the Saints
And all the Prophets and...
What if God was one of us
Just a slob like one of us
Just a stranger on the bus
Just tryin' to make his way home
Like a holy rolling stone
Back up to Heaven all alone
Just tryin' to make his way home
Nobody callin' on the phone
'Cept for the Pope maybe in Rome'



"One of Us" is a song written by Eric Bazilian (of The Hooters) and originally released by Joan Osborne. Released in March 1995 on the album Relish and produced by Rick Chertoff, it became a Top 40 hit in November of that year. The song is the theme song for the American television series Joan of Arcadia. The song was nominated for three Grammys and peaked at number four on the Billboard Hot 100, but Osborne was unable to repeat the success and is considered a one-hit wonder.

Friday, February 20, 2015

Constantin Brâncuși



'Things are not difficult to make; what is difficult is putting ourselves in the state of mind to make them.' 

Constantin Brancusi 

Constantin Brâncuși
portrait by Daliana Pacuraru 

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BIO
Constantin Brancusi was born February 19, 1876, in Hobitza, Romania and was a Romanian sculptor, painter and photographer who made his career in France. Considered a pioneer of modernism, one of the most influential sculptors of the 20th-century, Brâncuși is called the patriarch of modern sculpture. As a child he displayed an aptitude for carving wooden farm tools. Formal studies took him first to Bucharest, then to Munich, then to the École des Beaux-Arts in Paris from 1905 to 1907. His art emphasizes clean geometrical lines that balance forms inherent in his materials with the symbolic allusions of representational art. Brâncuși sought inspiration in non-European cultures as a source of primitive exoticism, as did Paul Gauguin, Pablo Picasso, André Derain and others. But other influences emerge from Romanian folk art traceable through Byzantine and Dionysian traditions.He studied art at the Scoala de Meserii (school of arts and crafts) in Craiova from 1894 to 1898 and at the Scoala Natzionala de Arte Frumoase (national school of fine arts) in Bucharest from 1898 to 1901. Eager to continue his education in Paris, Brancusi arrived there in 1904 and enrolled in the Ecole des Beaux-Arts in 1905. The following year, his sculpture was shown at the Salon d’Automne, where he met Auguste Rodin.
Soon after 1907, Brancusi’s mature period began. The sculptor had settled in Paris but throughout these years returned frequently to Bucharest and exhibited there almost every year. In Paris, his friends included Marcel Duchamp, Fernand Léger, Henri Matisse, Amedeo Modigliani, and Henri Rousseau. In 1913, five of Brancusi’s sculptures were included in the Armory Show in New York. Alfred Stieglitz presented the first solo show of Brancusi’s work at his gallery “291,” New York, in 1914. Brancusi was never a member of any organized artistic movement, although he associated with Francis Picabia, Tristan Tzara, and many other Dadaists in the early 1920s. In 1921, he was honored with a special issue of The Little Review. He traveled to the United States twice in 1926 to attend his solo shows at Wildenstein and at the Brummer Gallery in New York. The following year, a historic trial was initiated in the United States to determine whether Brancusi’s Bird in Space was liable for duty as a manufactured object or as a work of art. The court decided in 1928 that the sculpture was a work of art.
Brancusi traveled extensively in the 1930s, visiting India and Egypt as well as European countries. He was commissioned to create a war memorial for a park in Turgu Jiu, Romania, in 1935, and designed a complex that included gates, tables, stools, and an Endless Column. After 1939, Brancusi continued to work in Paris. His last sculpture, a plaster Grand Coq, was completed in 1949. In 1952, Brancusi became a French citizen. He died March 16, 1957, in Paris.(guggenheim )

http://www.yatzer.com/brancusi-in-new-york-paul-kasmin-gallery







Thursday, May 1, 2014

The Aleph


“A man sets out to draw the world. As the years go by, he peoples a space with images of provinces, kingdoms, mountains, bays, ships, islands, fishes, rooms, instruments, stars, horses, and individuals. A short time before he dies, he discovers that the patient labyrinth of lines traces the lineaments of his own face.”
― Jorge Luis Borges, The Aleph and Other Stories

Friday, March 8, 2013

International Women's Day - March, 8



















‘March days return with their covert light’

'March days return with their covert light,
and huge fish swim through the sky,
vague earthly vapours progress in secret,
things slip to silence one by one.
Through fortuity, at this crisis of errant skies,
you reunite the lives of the sea to that of fire,
grey lurchings of the ship of winter
to the form that love carved in the guitar.
O love, O rose soaked by mermaids and spume,
dancing flame that climbs the invisible stairway,
to waken the blood in insomnia’s labyrinth,
so that the waves can complete themselves in the sky,
the sea forget its cargoes and rages,
and the world fall into darkness’s nets.'

Wednesday, October 10, 2012

Trash the Dress






























Trash the dress, also known as fearless bridal or rock the frock, is a style of wedding photography that contrasts elegant clothing with an environment in which it is out of place. It is generally shot in the style of fashion and glamour photography. "Trash the dress" is the art of destruction or deconstruction of a bride's wedding dress to create a new "artwork" . This new "masterpiece" is formed in the creative destruction of the dress. This will normally be portrayed in a sequence of images or simply a single image.
Pictures are taken on a beach, but other locations include city streets, rooftops, garbage dumps, fields, and abandoned buildings. ( Trash_the_dress)

Trash the Dress este o tehnica interesanta in fotografia de nunta.  Este arta, rafinament,
libertate de expresie, poezie...
Pentru fotografi sau cameramani, TTD este un test de originalitate.
Locatiile trebuie alese cu atentie , fie ca sunt locuri pustii pe malul marii, paduri,
peisaje salbatice de munte, strazi vechi, case parasite, santiere , in locuri romantice, 
periculoase, rustice, unele triste - altele pline de poezie.
Limita depinde doar de imaginatia fotografului .

cu exceptionala contributie a : DunghaMarius Grozea



Sunday, June 17, 2012

Street Art Delivery - Street Spirit - Bucharest June 17




















































There's gotta be a record of you someplace
You gotta be on somebody's books
The lowdown - a picture of your face
Your injured looks
The sacred and profane
The pleasure and the pain
Somewhere your fingerprints remain concrete
And it's your face I'm looking for on every street

A ladykiller - regulation tattoo
Silver spurs on his heels
Says - what can I tell you, as I'm standing next to you
She threw herself under my wheels
Oh it's a dangerous road
And a hazardous load
And the fireworks over liberty explode in the heat
And it's your face I'm looking for on every street...





Street Delivery
http://www.streetdelivery.ro/bucuresti/street-delivery-2012-44.html

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